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from "WHITNEY HOUSTON" by Carole Portland (published 1994)Whitney Houston was born at 9th August 1963 in East Orange, NJ, in a talented family, she was inspired and encouraged by them to develop her natural ability as a singer, and her family also provided the security and support she needed to become an international star. Whitney's mother, Emily Drinkard (nickname Cissy), was born in 1933
in Newark. As a youngster she started singing in family gospel group, the
Drinkard Sisters, who recorded for RCA Records. Cissy performed with
Dionne Warwick's first group, the Gospelaires, and formed the four-piece
group the Sweet Inspirations(featuring Sylvia Shemwell of Bobby& Sylvia)
In 1970s Cissy worked both as a session singer and as solo artist. She
not only released three albums (Cissy Houston in 1977, Warning-Danger in
1979 and Step Aside For A Lady, EMI 1980) but also worked with such
varied and celebrated singers as Elvis Presley and her close friend
Aretha Franklin. Remarkably she was the first singer to record 'Midnight
Train To Georgia', later a big hit for Gladys Knight. With so much music in her parent's lives, it was only a matter of time before Whitney realized that music was in her blood: "Being around people like Aretha Franklin, Gladys Knight, Dionne Warwick and Roberta Flack, all these greats, I was thought to listen and observe. It had a great impact on me as a singer, as a performer, as a musician. Growing around it, you just can't help it. I identified with it immediately. It was something that was so natural to me that when I started singing, it was almost like speaking." The first time Whitney's solo voice was heard in public was,
naturally, at the New Hope Baptist Church. At the age of about 11 she
sang 'Guide Me, O Thou Great Jehovah', and the reaction she received
taught her something she would never forget."I was aware of people
staring at me. No one moved. They seemed almost in trance. I just stared
at the clock in the center of the church. When I finished, everyone
clapped and started crying." Whitney's two older brothers, Michael and Gary, have both helped her
in her career with business and music respectively. Michael became her
production manager on tour, arranging everything from the lighting hire
to the catering crew, while Gary joined her as a singer, performing duets
and backing vocals with his sister on stage. Throwing herself into her extra-curricular work, Whitney found a very promising career in modelling. She appeared in US magazines Cosmopolitan and Young Miss and on the covers of Glamor and Seventeen in 1981, describing herself later as "young, kind of innocent, but sexy". Whitney's modelling career began quite by chance. "My Mom and I were in New York and young man walked over to me and said that I should go to a modelling agency that was upstairs from where we were - that they were looking for someone like me and that I would be good. I was a little suspicious, but my Mom was with me and I said, 'What the heck, let's go see about this.'" Modeling led to offers of acting roles on television, such as the American family comedies Silver Spoons and Gimme A Break, but at the same time Whitney was in even greater demand as a singer. When Arista Records president Clive Davis first spotted Whitney Houston on stage, he saw the gift of stardom in her eyes and signed her up almost on the spot, in 1983. Davis had founded Arista Records in 1975 and launched the careers of many singers and songwriters from Billy Joel to Barry Manilow. He made Whitney his own personal responsibility, and famously added a clause to her contract to ensure that is he ever moved on from Arista, Whitney would be coming with him. "He is the only head of a record company who is really involved in and knows about music," said Whitney. Conscious of the dizzying effects of the music business lifestyle on an impressionable young woman, Davis made every effort to protect Whitney from the harsher side of the industry while nourishing her promising talent. By pairing the beautiful voice with the classiest and best songs and musicians, Davis knew that he would get a winning combination. Using the best minds in the business, he began laying the foundations for Whitney's career. But her fame did not arrive overnight. Contary to the opinions of Whitney's critics, the relationship
worked best because Clive and Whitney both had the same goals and shared
the same beliefs about entertainment. Whitney told Rolling Stone in 1993:
"I don't like it when they [media critics] see me as this little person
who doesn't know what to do with herself - like I have have no idea what
I want, like I'm just a puppet and Clive's got the strings. That's
bullshit. That's demeaning to me, because that ain't how it is, and it
never was. And never will be." Whitney Houston was paired with well-established soul crooners like
Teddy Pendergrass and Jermaine Jackson, who both releasted records
featuring vocals by Whitney in 1984 - songs that appeared on her own
debut album a year later. Houston and Jackson even made a cameo
appearance on American soap As The World Turns mugging for the
camera and smiling the slushy 'Take Good Care Of My Heart'. Clive Davis did not stop his pursuit of excellence with the choice
of songs for Whitney's first album, which was to be called, simply
Whitney Houston. It was vital that the finished recordings had the
class and quality befitting soul's newest queen. So far the album's
producers Davis enlisted writer Michael Masser, George Benson's producer
Kashif, and consummate all-rounded Narada Michael Walden. Whitney Houston - the album |