I find that like most of the critics, that this album is definitely divided
into two distinct halves.
PART 1
The fluffy pop part is as predictable as whitney gets-big ballads about
believing in yourself and dance-pop grooves-however "step by step" is made
more palatable by the Teddy Riley remix as well as the interesting fusion
of Whitney and Annie Lennox's voices, despite dull lyrics. It needs more
remixes.
THE big ballad is also predictable (I Believe In You and Me). But why did
it need two versions?? - one is enough.
The Babyface-penned "My Heart Is Calling" makes for interesting listening,
Whitney's vocals being reminiscent of the gravelly "Why Does It Hurt So
Bad" though I don't understand why the backing vocals need to be so deep.
Otherwise the groove reminds me of "sittin' up in my room" by Brandy.
So far I have only heard negative comments about "you were loved" but this
is less bland than "i believe in you and me" and Whitney really makes it
her own -- I like it!!
But the puke inducing "something bigger" really is NAFF. Bobby sounds
awful, whilst the others try hard-props to Monica and Ralph T.!! The rap
is crap, whilst the song does not flow. This should have been an all
female affair-along the lines of "Freedom" on the Panther
soundtrack. A good hiphop groove wouldve made unnecessary the rap and
amateur dramatics by some of the singers -- still a remix may work
wonders.
PART II
In the gospel part of this album, Whitney really kicks arse, to remind us
how second-rate and contrived acts like Madonna and Mariah Carey are. All
the gospel tracks work well in one form or another the most invigorating
being "I go to the rock" and "hold on".
BUT THE KILLER CUT has to be the spiritual orgasm inducing version of "joy
to the world" -- pure ecstacy, with Whitney saangin' like she means it --
shouldve been the Xmas single -- it would've reached the same heights as
any previous world no.1 the choirs are all excellent throughout the album
sometimes covering for Whitney's mistakes. Last but not least,"who would
imagine a king" is a mix of old hollywood, pop and gospel-potentially huge
and shows that Whitney can handle delicate vocals.
I think Penny Marshall sums up the gospel tracks well on the albums line
notes. Whilst the pop tracks could have been -- but don't hit the mark:
more R&B was required!!!
Submitted by: Sadiq V.